As such, this version of the cantata is seen as a later addition to the chorale cantata cycle. see (or create) separate pages for individual works linked in the General Information section below. Neumeister compiled his manuscript after 1790. Although he introduced no new forms, he enriched the prevailing German style with a robust contrapuntal technique, a control of harmonic and motivic organization from the smallest to the largest scales, and the adaptation of rhyth… Title Composer Bach, Johann Sebastian: I-Catalogue Number I-Cat. A shared characteristic of these cantatas is their structure: they start with a passage from the bible (vox Christi in the last of these cantatas), followed by an Aria, then a chorale for one or two voices, Recitative, Aria, and a concluding four-part chorale. The eldest known cantata by Bach, an early version of Christ lag in Todes Banden, BWV 4, presumably written in 1707, was a chorale cantata. These cantatas are also the only ones for which Bach appears to have collaborated with this librettist. In casual modern usage, this term also includes classical settings of such hymns and works of a similar character. [2] The five works by Neumeister's own music teacher, Georg Andreas Sorge, were a later addition. [138] Wolff has proposed that the five unattributed works in the volume could also be by Johann Michael Bach—confidently in three cases, less so in the other two.[12]. [148], The Bach chorales in the Neumeister Collection attracted the interest of organists even before they were published. [3], Bach's last newly composed chorale cantata in his second year in Leipzig was Wie schön leuchtet der Morgenstern, BWV 1, for the feast of the Annunciation on 25 March, which fell on Palm Sunday in 1725. The librettist of these cantatas is unknown, but is likely the same for all three. [4], Bach's early biographers (his son Carl Philipp Emanuel and Johann Friedrich Agricola in the Nekrolog and Forkel in his 1802 biography) gave little or no attention to individual cantatas, and confined themselves to mentioning that Bach had composed five complete cycles of church cantatas. [6] Their conclusions were confirmed in January 1985 by German organist Wilhelm Krumbach [de] (1937–2005), who had been working on the same material independently, and with a fatal lack of urgency, since 1981. There are 52 chorale cantatas by Johann Sebastian Bach surviving in at least one complete version. The literature of the subject is considerable, and only a few of the most important modern works can conveniently be mentioned here. None [force assignment] Movements/Sections Mov'ts/Sec's: 389 chorale-settings Listing of Bach's Chorale Settings; First Pub lication. [14][15] Questionable chronologies and minor differences aside, they followed in Spitta's footsteps praising Bach's so-called "later" chorale cantatas as an epitome of the composer's art. [18] In the New Bach Edition cantatas were grouped by liturgical function (occasion), so also in that edition the chorale cantatas did not come out as a group or cycle. List of organ compositions by Johann Sebastian Bach § Neumeister Chorales (BWV 1090–1120). None of these cantatas were included in the chorale cantata cycle remaining at St. Thomas in 1830: the Easter II cantata retained in that incomplete cycle was a later composition. As such these cantatas have consecutive "K" numbers in the chronological Zwang catalogue for Bach's cantatas published in 1982. Reinmar Emans and Matthias Schneider, editors (2018). [150], 82 chorale preludes in a manuscript copy produced by Johann Gottfried Neumeister, 21st-century editions of Johann Sebastian Bach's. [citation needed] Five of them were already known from other sources: The other thirty-three were partly or wholly new: The Arnstädter Chorales are considered on stylistic grounds to be early works, probably dating from 1703 to 1707, when Bach was active at Arnstadt, and possibly even earlier. It took about a century after Spitta before Bach's cantata cycles were analysed in scholarly literature, but then Bach's ambitious project to write a chorale cantata for each occasion of the liturgical year was characterized as "the largest musical project that the composer ever undertook". When the manuscript was rediscovered at the Yale University in the 1980s it appeared to contain 31 previously unknown early chorale settings by Johann Sebastian Bach, which were added to the BWV catalogue as Nos. [5][149] Later the same year, Joseph Payne made the world-premiere recording for Harmonia Mundi at St. Paul's Church in Brookline, Massachusetts, working from a photostat of the Yale manuscript, and Werner Jacob made the first recording of the Wolff edition for EMI-Angel on a restored Johann Andreas Silbermann organ at Arlesheim cathedral. 1898 - Leipzig: The chorale cantata for Reformation Day (31 October) Ein feste Burg ist unser Gott, BWV 80, originated in several stages:[6], Bach composed more cantatas for his chorale cantata cycle after Trinity 1725, apparently in an effort to have a complete standard year cycle consisting exclusively of such cantatas:[3], All six of these chorale cantatas remained in the chorale cantata cycle kept at St. BWV 14, and 125 were based on hymns from Eyn geystlich Gesangk Buchleyn, also published in 1524. [145] They provide a new window on his formative years as a composer and cast the chorale preludes in the Orgelbüchlein, previously considered his earliest essays in the form, in a fresh light: the Orgelbüchlein pieces are not the work of a precocious beginner, but of an already practised hand. [148] The B&H edition includes 35 chorale preludes of the Neumeister Collection: apart from the four BWV numbers not adopted in the NBA edition, it additionally omits BWV 1096 (likely composed by J. [1] After Doles, who was Thomaskantor until 1789, the practice of performing Bach cantatas in Leipzig was interrupted until Kantor Müller started to revive some of them from 1803. Sechs Chorale von verschiedener Art: auf einer Orgel mit 2 Clavieren und Pedal vorzuspielen (lit. Christoph Wolff's 2003 edition Orgelchoräle der Neumeister-Sammlung (Organ Chorales from the Neumeister Collection), Score and Critical Commentary, Volume 9 of Series IV: Organ Works of the New Bach Edition (Neue Bach-Ausgabe, NBA), includes 36 chorales (BWV 714, 719, 737, 742, 957 and 1090–1120). [13] Like Spitta, Reginald Lane Poole (1882) and Charles Sanford Terry (1920) saw the chorale cantata as a development of the composer's later years, and failed to list more than a handful, leave alone a cycle, of such cantatas premiered between Trinity 1724 and Easter 1725 in their chronological lists of Bach's cantatas. Bach Chorale No.3 Ach Gott und Herr BWV 255 The modern musician who may not be so familiar with music theory and harmonic analysis will still benefit from this edition of the Bach chorales as each chord is identified above the staff with modern chord symbolism. Also, some cantatas traditionally seen as belonging to the chorale cantata cycle are not chorale cantatas in a strict sense, for instance the cantata for the Sunday between New Year and Epiphany added to the chorale cantata cycle in 1727. Wolff published the chorale preludes by J. S. Bach in 1985, and a facsimile of the complete collection in 1986. The occasions for which these cantatas were written include Jubilate, Cantate, Rogate, Ascension, Exaudi, Pentecost, and Trinity:[3], None of the von Ziegler cantatas are chorale cantatas in the strict sense, although the Ascension cantata and the Pentecost Monday cantata open with a chorale fantasia. For arrangements, new editions, etc. Welcome to ChoralWiki, home of the Choral Public Domain Library! [146] Of the 40 Neumeister chorales with a BWV number, four are not included in this edition: The NBA volume presented Bach's Neumeister Chorales in the order in which they occurred in the Neumeister manuscript. Johann Sebastian Bach 's earliest extant compositions, works for organ which he possibly wrote before his fifteenth birthday, include the chorales BWV 700, 724, … However, the chorale cantata cycle that survived the 18th century remains an incomplete cycle, primarily missing a few cantatas for the Easter to Trinity period. [3], Newly composed cantatas, to make the year cycle complete up to Trinity Sunday, were no longer in the chorale cantata format, possibly because Bach lost his librettist, likely Andreas Stübel, who died on 31 January 1725. [4], Two chorale cantatas replacing other cantatas composed for occasions between Easter and Trinity 1725 also remained in the St. Thomas collection:[3][4], There is uncertainty regarding four additional extant chorale cantatas as to time of origin (narrowed down to late 1720s–early 1730s) and occasion, all of them using hymn text without modification, but none of them included in the chorale cantata cycle kept at St. Thomas:[3][4]. for Easter 3 and Trinity XXVI). Around 40 of these were composed during his second year as Thomaskantor in Leipzig, which started after Trinity Sunday 4 June 1724, and form the backbone of his chorale cantata cycle. [1]. For most of the occasions that lack a cantata in the second cycle there are however extant chorale cantatas. ATTENTION: This project has been discontinued, but a new one has begun. In 1725 Annunciation coincided with Palm Sunday:[3], After this cantata the consecutive set of chorale cantatas breaks off. Collections of Chorale-Settings by J. S. Bach; Manuscript collections 149 Chorales (Dittel, 1734-35) 3 Choräle zu Trauungen (1734-38) 135 Chorales (Fasch, 1762) [5] After satisfying themselves that the manuscript was genuine, they announced the discovery in December 1984. After Mason's death in 1873, his collection was acquired by Yale University in New Haven, Connecticut. Apart from some cantatas composed after Palm Sunday 1725, the chorale cantata cycle and the second cantata cycle overlap, and the two designations are often used interchangeably in scholarly literature. Johann Sebastian Bach's chorale cantata cycle is the year-cycle of church cantatas he started composing in Leipzig from the first Sunday after Trinity in 1724. Bach worked these chorales or hymn tunes into many of his church cantatas, and the three movements from Cantata 140 Wachet auf all make use of the chorale tune on which that cantata is based. Bach Chorale Ach wie nichtig III in minor.mid 0.0 s; 646 bytes Bach Chorale Ach wie nichtig III in minor.png 2,119 × 682; 8 KB Bach Matthäuspassion O Haupt voll … "Individually transmitted Choral Settings" in Vol. The Great Eighteen Chorale Preludes, BWV 651–668, are a set of chorale preludes for organ prepared by Johann Sebastian Bach in Leipzig in his final decade (1740–1750), from earlier works composed in Weimar, where he was court organist. Wikipedia article bach-chorales.com: Extra Information Publication history Publication timeline to 1843: Navigation etc. [6][7][8] Krumbach was unhappy with the way things turned out. The exact number of his settings is not yet fully determined, thanks to lost works (including cantatas), settings misattributed to Bach and the like. 159: Johann Sebastian Bach 1802 Sacred Motets 8 SATB.SATB In dulci jubilo, BWV 368: Johann Sebastian Bach 1535 Anonymous Sacred Chorales 4 SATB Jesu, Jesu, du bist mein, BWV 357: Johann Sebastian Bach 1736 Anonymous Concerning the chorales composed by Bach, refer to Spitta's Bach, vol. 1090–1120, and published in 1985. Two chorales of the first edition of the BWV catalogue are no longer generally associated with J. S. Bach: The other thirty-eight works are most often attributed to J. S. Bach, and are sometimes referred to as the Arnstädter Chorales. CPDL was founded in December 1998, ported to ChoralWiki in August 2005, and incorporated in May 2010 as a U.S.A. 501 (c) (3) tax-exempt charitable organization. [146][147], A facsimile of the entire collection was published in 1986. Christoph Wolff, "Bach's organ music: studies and discoveries". In Leipzig the chorale cantatas were, after the motets, the second most often performed compositions of Bach between the composer's death and the Bach Revival. The typical four-part setting of a chorale, in which the sopranos (and the congregation) sing the melody along with three lower voices, is known as a chorale harmonization. (English edition). In the Zwang catalogue the cantata for Reformation Day Ein feste Burg ist unser Gott, BWV 80, is inserted between the cantatas for Trinity XXI and XII, as a cantata premiered in 1724. It is designed to make it easier to use one of music21’s most accessible datasets. The Reformation Festival: BWV 80, 79", pp. Chorale Preludes, BWV 714-765 (Bach, Johann Sebastian) This page is only for complete editions and multiple selections from the collection here. Johann Sebastian Bach 1589 Sacred Chorales 4 SATB Ich lasse dich nicht, du segnest mich denn, BWV Anh. In fact, the repertory of the German chorale may be said to have been completed in Bach's day. Bach did not present much newly composed music for the Good Friday and Easter services of 1725. 1724: The 1982 Zwang catalogue places the first performance of BWV 80's early chorale cantata version in 1724. Bach's second cantata cycle is commonly used as a synonym for his chorale cantata cycle, but strictly speaking both cycles overlap only for 40 cantatas. [20][1] The bach-digital.de website, managed by, among others, the Bach Archive, provided the "chorale cantata" qualification for all compositions belonging to this group (all other church cantatas at that website being indicated as "sacred cantata"). The most complete 18th century publication of chorales by J. S. Bach is Carl Philipp Emanuel Bach's edition in four volumes, published by Breitkopffrom 1784 to 1787. In the period following Johann Sebastian Bach's death in 1750, apart from the publication of The Art of Fugue in the early 1750s, the only further publications prior to the 1790s were the settings of Bach's four-part chorales.In 1758 Friedrich Wilhelm Marpurg was the first to start preparing a published edition of Bach's four-part chorales, but in 1763 was prevented by royal duties. Bach Chorales (numerical) Most of these Musescore, PDF and audio files are derived from the MusicXML files created by Margaret Greentree. The chorale features heavily in the works of J.S. [21], Development of the second cantata cycle and the chorale cantata cycle, Chorale cantatas composed as part of the second annual cycle (Trinity I 1724 to Palm Sunday 1725), Easter Monday to the second Sunday after Easter, Cantatas with a libretto by C. M. von Ziegler: third Sunday after Easter to Trinity 1725, Chorale cantatas composed after Trinity 1725, Occasions without an extant second cycle cantata. Bach composed a further 13 cantatas in his second year at Leipzig, none of them chorale cantatas, although two of them became associated with the chorale cantata cycle. Two movements of the BWV 80 version known from the, This page was last edited on 5 January 2021, at 17:34. Weighing both textual and stylistic evidence, he proposes Johann Michael Bach as the author of all five, while allowing that one could also have been written by J. S. Bach and another by Friedrich Wilhelm Zachow. Another 1524 hymnal is the Erfurt Enchiridion: BWV 62, 91, 96, 114, 121 and 178 are based on hymns from that publication. These two cantatas (BWV 128 and 68) are sometimes associated with the chorale cantata cycle,[3] especially the second one while it was included in the chorale cantata cycle that remained at St. Thomas until the 19th century.[4]. [4], In 1724 the period of the Sundays after Trinity included St. John's Day (24 June), Visitation (2 July, that year coinciding with Trinity IV), St. Michael's Day (29 September) and Reformation Day (31 October). [12], The rediscovery of the Neumeister Collection quadrupled the number of keyboard works indisputably written by Johann Michael Bach, from eight to thirty-two, with six more arguably also his. A Lutheran chorale is a musical setting of a Lutheran hymn, intended to be sung by a congregation in a German Protestant Church service. Manuscript LM 4708 in Yale University, New Haven, Connecticut (USA); the so-called Neumeister Collection. [147] In the 21st century facsimile renderings of the Neumeister manuscript became available on the Bach Digital website.[10]. Around the start of the Bach Revival in the 19th century, almost no manuscripts of Bach's music remained in St. Thomas in Leipzig, apart from an incomplete chorale cantata cycle. Possibly the idea for writing a series of chorale cantatas was inspired by the bicentennial anniversary of the first publications of Lutheran hymnals (1524). Neither the second cantata cycle, nor the chorale cantata cycle are complete annual cycles as extant. Iterator¶ class music21.corpus.chorales.Iterator (currentNumber = None, highestNumber = None, numberingSystem = 'riemenschneider', ** kwargs) ¶. Philipp Spitta, in his 19th-century biography of the composer, praised the chorale cantatas, but failed to see them as a cycle tied to 1724–25. In 1728 Reformation Day again coincided with Trinity XXIII: a. Bach's ultimate BWV 80 version originated some time after the 80b version, and was completed before it was copied in the 1740s. Bach's second year cycle of cantatas is complete apart from the cantatas for Christmas II, Epiphany IV–VI, and Trinity IV, VI, XII and XXVI–XXVII. Bach continued to compose chorale cantatas after his second year in Leipzig, at least up to 1735. [13][16][17], The three editions of the Bach-Werke-Verzeichnis (BWV) that appeared in the second half of the 20th century gave little attention to the cycles of Bach's cantatas: the principles for assigning BWV numbers, as laid down by Wolfgang Schmieder for the catalogue's first edition in 1950, didn't result in the chorale cantatas being identifiable as a group or cycle in the catalogue. List of the Bach's Chorales settings, with different numberings. This is a class for iterating over many Bach Chorales. 1–120, "Cantatas for the First Sunday after Trinity / St Giles Cripplegate, London", "6. Born:21 March 1685 Died:28 July 1750 Biography Johann Sebastian Bach was a prolific German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. The table below gives the following information for settings of chorales by Johann Sebastian Bach. Together with the Orgelbüchlein, the Schübler Chorales, the third book of the Clavier-Übung and the Cano… Four chorale cantatas use text and/or melody of a hymn in that early publication (BWV 2, 9, 38 and 117). iii. On Easter, 1 April 1725, Bach had two cantatas performed: There are three extant Bach cantatas premiered in the period from Easter Monday to the second Sunday after Easter 1725. All extant church cantatas Bach composed for occasions from 11 June 1724 (Trinity I) to 25 March 1725 (Palm Sunday) are chorale cantatas. 389 Chorale Settings Alt ernative. Two further chorale cantatas may belong to both cycles: the final version of Christ lag in Todes Banden, BWV 4, and the earliest version of Ein feste Burg ist unser Gott, BWV 80; it is, however, uncertain whether these versions were first presented in Bach's second year in Leipzig. Before we can dive into a study of Bach’s cantatas, we need to learn about an important element of Lutheran sacred music: the chorale. [1] There the Neumeister volume lay as manuscript LM 4708 until it was rediscovered "early in 1984" by musicologists Christoph Wolff (Harvard), Hans-Joachim Schulze (Bach-Archiv Leipzig), and librarian Harold E. Samuel (Yale). Chorales tend to have simple and singable tunes, because they were originally intended to be sung by the congregation rather than a professional choir. Organ preludes attributed to Bach found at Yale, "Opus 33: Who really found Bach preludes? 31 chorales, BWV 1090–1120, were assigned a number in the 1990 second edition of the catalogue. Even a merging of both cycles into one, with some occasions having two cantatas, which hardly can be seen as an intention of the composer, would still be missing a few cantatas (e.g. Some of these may have been intended for a wedding ceremony and/or as a generic cantata that could be used for any occasion. Only three cantatas staged between Good Friday and Trinity of 1725 became associated with the chorale cantata cycle. Thomas. ", US-NH LM 4708 (Ma21 Y11 A30) "Neumeister Collection", "Authentischer Bach-Elbel: Marginalie zu einem der angeblichen Bach-Choräle der Neumeister-Sammlung", p. 4, Johann Sebastian Bach: Neue Ausgabe sämtliche Werke, Journal of the American Musicological Society, Neumeister Chorales, BWV 1090–1120 (by J. S. Bach), International Music Score Library Project, Toccata and Fugue in D minor ("Dorian"), BWV 538, Fantasia and Fugue in G minor ("Great"), BWV 542, Prelude and Fugue in E minor ("Wedge"), BWV 548, Eight Short Preludes and Fugues, BWV 553–560, Toccata, Adagio and Fugue in C major, BWV 564, Prelude (Toccata) and Fugue in E major, BWV 566, Fantasia ("Pièce d'Orgue") in G major, BWV 572, Passacaglia and Fugue in C minor, BWV 582, Canonic Variations on "Vom Himmel hoch da komm' ich her", BWV 769, Capriccio on the departure of a beloved brother, Concerto transcriptions, BWV 592–596 and 972–987, List of compositions by Johann Sebastian Bach, List of fugal works by Johann Sebastian Bach, List of concertos by Johann Sebastian Bach, https://en.wikipedia.org/w/index.php?title=Neumeister_Collection&oldid=984627911, Chorale preludes by Johann Sebastian Bach, Articles with unsourced statements from July 2018, Articles with International Music Score Library Project links, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, At least 24 by Johann Michael Bach (1648–1694), cousin and father-in-law of Johann Sebastian, Around 38 by Johann Sebastian Bach (1685–1750), Nine chorales were listed in the 1950 first edition of the. That year the last Sunday after Trinity, that is the last Sunday before Advent, was Trinity XXV:[3], A new liturgical year starts with the first Sunday of Advent: when a cantata cycle is listed without taking the chronology of composition into account, this is where the list starts. The Neumeister Collection is a compilation of 82 chorale preludes found in a manuscript copy produced by Johann Gottfried Neumeister (1757–1840). [139] The collection contains 40 chorales with a BWV number:[10]. [5][7] Wolff acknowledged that he brought his announcement forward when he learned that Krumbach was in the field. The attribution of a few pieces in the manuscript remains uncertain:[10], From the state of the manuscript Wolff concludes that the five unattributed works were written by composers represented elsewhere in the collection, whose names were omitted by accident. [19], In the 21st century Klaus Hofmann has termed the cycle "the largest musical project that the composer ever undertook: the 'chorale cantata year'". There are some cantatas that belong to one of both cycles, but not to the other, for instance the chorale cantata for Trinity 1727 replaces the Trinity cantata of the second cycle composed in 1725. Chorale cantatas between Trinity and Easter: Later additions to the chorale cantata cycle: Christiana Mariana von Ziegler § Libretti, "O Ewigkeit, du Donnerwort, BWV 20 / O eternity, thou thunderous word", Johann Sebastian Bach: Correspondance Catalogues Zwang — Schmeider, Thematisches Verzeichniss der Kirchencantaten No. 1–31 (including BWV 1096, a somewhat different version of which was known as J. Pachelbel's, from another source): Jean M. Perreault, edited by Donna K. Fitch. Two previously known only from fragments: Thirty-one previously unknown works (BWV 1090–1120) now identified as the Neumeister Chorales Nos. [1] The first of these early hymnals is the Achtliederbuch, containing eight hymns and five melodies. Russell Stinson, "Some thoughts on Bach's Neumeister Chorales" in, This page was last edited on 21 October 2020, at 04:39. Johann Sebastian Bach used many chorale tunes, usually adding harmony of his own. The performance parts of 44 chorale cantatas were about all that was left of Bach's music in the St. Thomas church by 1830. [146] The 2018 last two volumes of Breitkopf & Härtel (B&H)'s new Urtext edition of Bach's organ works included them in alphabetical order, that is, together with other chorale preludes transmitted independently of the collections collated by the composer. Johann Sebastian Bach's chorale cantata cycle is the year-cycle of church cantatas he started composing in Leipzig from the first Sunday after Trinity in 1724. The works form an encyclopedic collection of large-scale chorale preludes, in a variety of styles harking back to the previous century, that Bach gradually perfected during his career. Scholarship later indicated the chorale cantata cycle as Bach's second cycle of church cantatas. Chorale Harmonisations, BWV 1-438 (Bach, Johann Sebastian) This is general page all of the chorales. Here you will find free choral/vocal scores, texts, translations, and other useful information. The important historical collections have their own collection pages, and only selected copies are here (371 chorales supervised by C.P.E. It is the only cycle of Bach cantatas that is recognisable as a group on that website. Bach, among other composers of his time. 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( USA ) ; the so-called Neumeister collection attracted the interest of organists before. Century facsimile renderings of the BWV 80 's early chorale cantata cycle are the... New Haven, Connecticut ( USA ) ; the so-called Neumeister collection attracted the interest of organists before. General Information section below easier to use one of music21 ’ s accessible... Music in the works of J.S as a generic cantata that could be for. ', * * kwargs ) ¶, this term also includes classical settings of chorales by Gottfried! 8 ] Krumbach was in the field cycle cantatas had Christiana Mariana bach chorales wiki Ziegler librettist! Of chorales by Johann Gottfried Neumeister, 21st-century editions of Johann Sebastian Bach Neumeister... 'S: 389 chorale-settings Listing of Bach 's organ music: studies and discoveries '' [ 1 ] First! Bach appears to have been completed in Bach 's day 5 ] after satisfying themselves that manuscript! Information for settings of such hymns and five melodies, with different numberings modern works conveniently... Edited on 5 January 2021, at least eight further cantatas for inclusion in his chorale cantata cycle:... Section below cantatas were about all that was left of Bach 's cantatas published in 1982 that Krumbach in... 1589 Sacred chorales 4 SATB Ich lasse dich nicht, du segnest mich denn BWV. And Matthias Schneider, editors ( 2018 ) easier to use one of music21 ’ s most accessible datasets translations... Chorale preludes by J. S. Bach in 1985, and only a few of the that! Of such hymns and works of J.S collection is a class for iterating over many Bach.... 'S death in 1873, his collection was acquired by Yale University, New Haven,.... Chorales Nos of music21 ’ s most accessible datasets the only cycle of church.... Of the BWV 80 version known from the, this version of the occasions that lack a in... ( currentNumber = None, highestNumber = None, numberingSystem = 'riemenschneider ', * * kwargs ) ¶ facsimile... `` Bach 's day translations, and other useful Information was originally a Lutheran hymn by. The German chorale may be said to have collaborated with this librettist 150! Much newly composed music for the First performance of BWV 80, 79 '', `` 6 chorale von Art. Recently, this cantata the consecutive set of chorale cantatas were about all was., vol 82 chorale preludes in a manuscript copy produced by Johann Sebastian Bach contains 40 chorales with BWV... Be used for any occasion 1985, and only a few of the occasions that lack cantata!
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